I watched the last two rounds of The British Open at Royal St. George last month. One one particular hole there was a large bank of wind turbines visible in the background. I thought of how some people complain that wind turbines are a blight; that looking at them is disturbing, in-artful, etc. However, knowing they are contributing to the long-term habitability of our planet, I’m fine with it. In fact, it’s beautiful. It’s reminiscent of how I, and many artists, envisioned the worlds of science fiction.
While much of the artwork to be found in science fiction can be pretty dystopian, there are also a lot of concepts that are truly beautiful and evoke human capabilities far beyond those we’re able to employ nowadays. This is especially true of artwork depicting habitats built to exist in space. Like the art depicted above, these habitats are invariably curved, since a “station” that slowly rotates around a central axis will create a gravitational simulation that should suit the human body as much as “real” gravity on our home planet.
At least, that’s what I think would happen. Nobody’s done it yet, though I believe the science is pretty sound. It’s conceivable to me this future awaits us; surely not in my lifetime, but within the next hundred or so years. That being the case, I find it easy to put up with a bank of windmills off in the distance. The reality is, if we’re ever going to be a space-faring world—I mean really able to move off the planet—we first have to ensure Earth remains reasonably habitable … and we don’t seem to be doing a very good job of that right now. More about that later.