In the Spring of 2018, my wife’s niece arranged for a few members of the family to take some portrait photos. She chose the studio of Toyo Miyatake, a photographer who was imprisoned in the Manzanar concentration camp, during World War II. My wife is Sansei (3rd generation Japanese-American) and grew up on Monterey Park, CA, where most of her family continues to reside. The studio is currently being run by his son, Archie, who took some wonderful pictures of my wife, our daughters, and her mother, sister, and niece.
The studio is in San Gabriel and it’s filled with lots of photos taken by Toyo and Archie and I snapped some pics with my phone to share. I didn’t get around to doing anything until now, for reasons I’m incapable of reciting. Nevertheless, here they are. In looking for information on Toyo and Manzanar, I came across the Densho Encyclopedia, which has this to say about their work:
From the Densho Encyclopedia’s website:
The Densho Encyclopedia is a free and publicly accessible website that provides concise, accurate, and balanced information on many aspects of the Japanese American story during World War II. It is designed and written for a non-specialist audience that includes high school and college students and instructors, multiple generations of Nikkei community members, confinement sites preservation groups, amateur and professional historians, librarians, journalists, documentarians, and the general public.
https://encyclopedia.densho.org/about/
The Encyclopedia is thoroughly cross indexed and articles are linked to relevant primary and secondary materials from the Densho archive and from other websites that include still and moving images, documents, databases, and oral history interview excerpts as well as standard bibliographical sources.
The history of America’s treatment of Japanese-American citizens during WWII is a stain on everything this country is “supposed” to stand for, yet rarely seems to be able to provide. It was the result of racism and chauvinism, of nationalism and white supremacy. It set the Japanese-American community back years, if not decades, especially for those families whose property was stolen by white citizens who remained behind. Some were able to reclaim their homes and farms, but many didn’t. Toyo Miyatake was imprisoned here in California, at Manzanar. Here is what the Densho Encyclopedia has to say about his time there.
From the Densho Encyclopedia’s website:
The exclusion order forced Miyatake, his wife and four children, to the concentration camp at Manzanar. He was able to store his photographic equipment but managed to smuggle a camera lens and film plate holder into the camp against government orders. Miyatake told his son Archie that he felt it was his duty to document camp life. An Issei carpenter in camp constructed a box to house the lens, and Miyatake was able to get film into camp by way of a hardware salesman and former client. The photographer eventually asked camp director Ralph Merritt if he could set up a photo studio, and Merritt, who learned about Miyatake from Edward Weston, consented with the provision that Miyatake only load and set the camera, and a Caucasian assistant snap the shutter. Eventually, that restriction was lifted, and Miyatake was designated official camp photographer, and granted the freedom to take photos of everyday life at Manzanar. While there, Miyatake met and began a longtime collaboration with Ansel Adams, who wanted to capture candid photos of people there; the two men later published their work together in the book Two Views of Manzanar. Miyatake’s groundbreaking Manzanar photographs have also been featured in a 2012 exhibition at the Eastern California Museum called “Personal Responsibility: The Camp Photos of Toyo Miyatake.”
https://encyclopedia.densho.org/Toyo_Miyatake/
The collage I’m sharing, below, is of Archie recreating one of his father’s more iconic photos. He was able to find the now grown men who were originally pictured in Manzanar and bring them to the site for the shoot. I think the photos are pretty self explanatory, but the second row has the money shots, IMO.
I’ll share three more photos I took while we were there. The photo on the left is of a portion of the front of the studio, where much of Archie’s work is displayed. It was there I saw large photos of people like Condoleezza Rice and Vin Scully, in addition to many others. The center photo is of Archie shooting photos of my family, which consisted of my wife, my MIL and SIL, along with My SIL’s daughter (our niece), her grand daughter by her other daughter (deceased) and our two daughters. The photo on the right is a collage of photos Archie took at the wedding of “Uncle” George Takei and Brad Altman. Click on any of the pics to see a larger version.
Aaaand . . . since I’ve mentioned George and Brad, I have one more photo to share, below these three. On September 19, 2019, Linda and I attended a talk at The Ricardo Montalbán Theatre, in Hollywood, where George was discussing his newest book, “They Called Us Enemy.” We purchased a copy and, while waiting in line to get it autographed, Brad walked through the line greeting everybody. We got a nice photo with him. Here’s how George’s book has been described:
George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father’s-and their entire family forced from their home into an uncertain future. In a stunning graphic memoir, Takei revisits his haunting childhood in American concentration camps, as one of over 100,000 Japanese Americans imprisoned by the U.S. government during World War II. Experience the forces that shaped an American icon-and America itself-in this gripping tale of courage, country, loyalty, and love.
https://www.hoopladigital.com/title/12579768
Systems Savvy 
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