I was going through some photos the other day and came across a couple I wanted to share with my friends on Facebook. I still post quite a bit there and I get a fair amount of feedback, but the one of my girls and me at a Wedding Vows renewal ceremony got 125 likes and a lot of favorable comments, so I decided to share it on Twitter. I don’t have nearly as many “followers” as I have “friends,” mostly because I was a bad boy last year and, after 14 years, Twitter suspended my account. I believe it was because, in an answer to someone else’s tweet, I suggested the former guy might benefit from a heart attack. Oh, well!
Since these are two of my favorite pics of my girls and, since they’re about ten years old, I figured I would memorialize them here. After all, this is probably the most accurate historical record I’m going to leave and these girls are such a huge, profound portion of my life, it’s probably where they belong. So … in addition to continuing to share my Photoshop efforts on occasion, I’m going to put up more pictures of the girls … especially now that they’re both approaching adulthood.
The photo on the right received a nice welcome as well, though not quite like the “dressier” photo. It was taken after we’d eaten dinner at Toluca Lake Bob’s Big Boy. We had finished a long day of entertainment at Griffith Park, including a miniature train ride, horseback riding, a stopover at the Observatory, and a stop at Travel Town on our way out. I really miss these girls. They’re teenagers now (my oldest, Aimee, will be 20 in three months) and you can probably figure out what that means. <Sigh!>
In the Spring of 2018, my wife’s niece arranged for a few members of the family to take some portrait photos. She chose the studio of Toyo Miyatake, a photographer who was imprisoned in the Manzanar concentration camp, during World War II. My wife is Sansei (3rd generation Japanese-American) and grew up on Monterey Park, CA, where most of her family continues to reside. The studio is currently being run by his son, Archie, who took some wonderful pictures of my wife, our daughters, and her mother, sister, and niece.
The studio is in San Gabriel and it’s filled with lots of photos taken by Toyo and Archie and I snapped some pics with my phone to share. I didn’t get around to doing anything until now, for reasons I’m incapable of reciting. Nevertheless, here they are. In looking for information on Toyo and Manzanar, I came across the Densho Encyclopedia, which has this to say about their work:
The Densho Encyclopedia is a free and publicly accessible website that provides concise, accurate, and balanced information on many aspects of the Japanese American story during World War II. It is designed and written for a non-specialist audience that includes high school and college students and instructors, multiple generations of Nikkei community members, confinement sites preservation groups, amateur and professional historians, librarians, journalists, documentarians, and the general public.
The Encyclopedia is thoroughly cross indexed and articles are linked to relevant primary and secondary materials from the Densho archive and from other websites that include still and moving images, documents, databases, and oral history interview excerpts as well as standard bibliographical sources.
The history of America’s treatment of Japanese-American citizens during WWII is a stain on everything this country is “supposed” to stand for, yet rarely seems to be able to provide. It was the result of racism and chauvinism, of nationalism and white supremacy. It set the Japanese-American community back years, if not decades, especially for those families whose property was stolen by white citizens who remained behind. Some were able to reclaim their homes and farms, but many didn’t. Toyo Miyatake was imprisoned here in California, at Manzanar. Here is what the Densho Encyclopedia has to say about his time there.
The exclusion order forced Miyatake, his wife and four children, to the concentration camp at Manzanar. He was able to store his photographic equipment but managed to smuggle a camera lens and film plate holder into the camp against government orders. Miyatake told his son Archie that he felt it was his duty to document camp life. An Issei carpenter in camp constructed a box to house the lens, and Miyatake was able to get film into camp by way of a hardware salesman and former client. The photographer eventually asked camp director Ralph Merritt if he could set up a photo studio, and Merritt, who learned about Miyatake from Edward Weston, consented with the provision that Miyatake only load and set the camera, and a Caucasian assistant snap the shutter. Eventually, that restriction was lifted, and Miyatake was designated official camp photographer, and granted the freedom to take photos of everyday life at Manzanar. While there, Miyatake met and began a longtime collaboration with Ansel Adams, who wanted to capture candid photos of people there; the two men later published their work together in the book Two Views of Manzanar. Miyatake’s groundbreaking Manzanar photographs have also been featured in a 2012 exhibition at the Eastern California Museum called “Personal Responsibility: The Camp Photos of Toyo Miyatake.”
The collage I’m sharing, below, is of Archie recreating one of his father’s more iconic photos. He was able to find the now grown men who were originally pictured in Manzanar and bring them to the site for the shoot. I think the photos are pretty self explanatory, but the second row has the money shots, IMO.
I’ll share three more photos I took while we were there. The photo on the left is of a portion of the front of the studio, where much of Archie’s work is displayed. It was there I saw large photos of people like Condoleezza Rice and Vin Scully, in addition to many others. The center photo is of Archie shooting photos of my family, which consisted of my wife, my MIL and SIL, along with My SIL’s daughter (our niece), her grand daughter by her other daughter (deceased) and our two daughters. The photo on the right is a collage of photos Archie took at the wedding of “Uncle” George Takei and Brad Altman. Click on any of the pics to see a larger version.
Aaaand . . . since I’ve mentioned George and Brad, I have one more photo to share, below these three. On September 19, 2019, Linda and I attended a talk at The Ricardo Montalbán Theatre, in Hollywood, where George was discussing his newest book, “They Called Us Enemy.” We purchased a copy and, while waiting in line to get it autographed, Brad walked through the line greeting everybody. We got a nice photo with him. Here’s how George’s book has been described:
George Takei has captured hearts and minds worldwide with his captivating stage presence and outspoken commitment to equal rights. But long before he braved new frontiers in Star Trek, he woke up as a four-year-old boy to find his own birth country at war with his father’s-and their entire family forced from their home into an uncertain future. In a stunning graphic memoir, Takei revisits his haunting childhood in American concentration camps, as one of over 100,000 Japanese Americans imprisoned by the U.S. government during World War II. Experience the forces that shaped an American icon-and America itself-in this gripping tale of courage, country, loyalty, and love.
In my last couple of years in High School I took a lot of photography classes. Back then (this was in 1964 – 1966) there was no such thing as digital photos. Everything was film and darkroom work. I remember enjoying taking pictures at football games, using Kodak Tri-X 400 black & white negative film.
I had to take it into the darkroom and develop both the film and then use the negatives obtained from the film strip to project onto photographic paper, which we then developed ourselves in the darkroom. It involved a lot of banging around in the dark, getting used to working by dim red light, and lots of chemicals to develop, set, and finish the work.
I’ve long enjoyed photography and still enjoy using tools like Photoshop to tweak and improve photos; sometimes to create political memes from them as well. I recently started using the magnification app that came with my iPhone XR and I’ve realized I can produce some interesting photos by zooming way in on subjects that have intricate or visually remarkable patterns.
Several of the ones I’m publishing here should be fairly easily recognizable to most people. At least one of them requires a bit of engineering knowledge and, perhaps, familiarity with space hardware. A couple of them should be easy to discern. Two of them relate to cooking in one way or another. What do you see?
So . . . I was sharing an interesting collection of photographs done by a Russian (Murad Osmann) who takes Instagram pictures in parts of the world he visits. Each picture is taken from the perspective of his girlfriend leading him by the hand. They’re each set up nicely to show off some aspect of the countryside, city, village, or familiar tourist location and his girlfriend’s clothing and hair are always different. I’m no fashionista, but it appears to me her hair styles are sometimes related to the location they’re in.
These are really nice photographs and you can see a collection of some of them here. Part of the reason, however, I’m posting this is because, as I was sharing (using a HootSuite widget that allows me to share directly from a web page to numerous social platforms) to Facebook and Twitter, I accidentally sent it here. I meant to send it to my LinkedIn profile. The way this widget shares with WordPress is less than adequate so, rather than just delete the reference, I thought I would share more fully. The pics are pretty interesting.
Truth to tell, I have lots of interests. I have often referred to myself as a professional eclectic. Many years ago I was a reasonably accomplished photographer; even spent quite a bit of time in the darkroom. I think that sentence ages me.
It’s been years since I’ve been serious about it, but I really want to work more with photography. As I stated in my last post, I also want to get back to blogging more frequently. Now that I have an iPhone I think I’m going to do both a lot more.
So . . . What I’m doing with this post is using the WordPress app on my iPhone to share a picture I took with my it. I’m hoping this becomes easier and easier because I’m also dictating the text for this post.
I was moved to take this picture because of the two forlorn strawberries I saw in our little sink garbage collection. They must have been lost in the back of the fruit drawer; they were all dried out and had a little mold growing on them. I thought I would memorialize them and, here they are. I know, it’s no masterpiece and neither is this post. Like I said, I’m experimenting.
Since my retirement from Pratt & Whitney Rocketdyne in 2010, I have spent quite a bit of energy on developing work as a social media marketer for small business, a business manager for an AI software development firm, and as an editor/proofreader for a number of business books and a couple of novels, as well as a two-year return engagement at Rocketdyne from 2015 to 2017.
I have decided to stop actively pursuing business in these fields and am now positioning myself to be a writer. I have done quite a bit of writing over the years, but I’ve never really attempted to make any money at it; at least not specifically. I’m starting out with a couple of memoirs and, currently, I’m studying the craft, creating a detailed outline and timeline, and honing my skills as a storyteller. Pretty sure I’ll be writing some fiction as well.
The views expressed herein are those of the author. Any opinions regarding the value or worth of particular business processes, tools, or procedures, whether at his former place of employment, at a current client's enterprise, or in general, are his responsibility alone.